Olympic Conspiracies & Global Tension | Joe Battaglia on Beneath the Rings | Plot Twist Radio
Plot Twist RadioMay 12, 2026x
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Olympic Conspiracies & Global Tension | Joe Battaglia on Beneath the Rings | Plot Twist Radio

The Olympics are meant to unite the world—but what happens when global politics, terror threats, and hidden agendas collide beneath the surface of the Games?

In this episode of Plot Twist Radio, host Erin Egnatz sits down with author and former Olympic journalist Joe Battaglia to discuss his gripping thriller Beneath the Rings. Drawing from years covering the Olympics and international sports for NBC Olympics and major media outlets, Joe dives into the inspiration behind the novel, the realities of global sporting events, and the terrifying “what if” scenarios that fuel the story.

The conversation explores:
• The transition from journalism to novel writing
• Real-life Olympic experiences that inspired the book
• Geopolitical tension and international sports
• Creating Nova, a powerful female investigative journalist protagonist
• The hidden politics behind the Olympic movement
• Why Beneath the Rings feels so cinematic
• Possibilities for a future film or streaming adaptation

If you love political thrillers, Olympic stories, conspiracy fiction, journalism, or cinematic suspense novels, this episode is for you.

Follow Joe Battaglia:
Website: BooksByBattaglia.com
Instagram/X: @joebattaglia75

🎙️ Subscribe to Plot Twist Radio for interviews with authors, filmmakers, musicians, athletes, historians, and storytellers from around the world.

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00:00:00
Welcome to Plot Twist Radio, the show where creativity,

00:00:03
storytelling, and the unpredictable path of the

00:00:05
creative life all collide. I'm your host, Aaron Eggnatz.

00:00:12
The Olympic Games are supposed to unite the world, but what

00:00:14
happens when the world's biggest stage becomes the perfect

00:00:17
setting for chaos? My guest today is author and

00:00:20
veteran sports journalist Joe Battaglia, whose new thriller

00:00:24
Beneath the Rings dives deep into the hidden tensions beneath

00:00:28
the. Spectacle of the Olympics.

00:00:30
Drawing from his real life experience covering multiple

00:00:33
Olympic Games, Joe blends global politics, journalism,

00:00:37
conspiracy, and high stakes suspense into a story that feels

00:00:41
frighteningly. We talked about the transition

00:00:44
from journalism to fiction, the inspiration behind his fierce

00:00:47
lead character Nova, and the realities of covering

00:00:49
international sports, and why the Olympics are about far more

00:00:53
than medals and ceremonies. If you love cinematic thrillers,

00:00:56
global intrigue, and stories that blur the line between

00:00:59
fiction and reality, this episode is for you.

00:01:03
Hello and welcome. To the show before we get.

00:01:05
Started. Can you introduce?

00:01:06
Yourself to the audience for us. Yeah, my name is Joe Battaglia

00:01:09
and I'm the author of Beneath the Rings.

00:01:11
Awesome, so you have an impressive career.

00:01:14
I noticed that you've worked in media and journalism for

00:01:18
listeners meeting you for the first time.

00:01:20
Do you prefer journalism or do you prefer writing the book?

00:01:23
Because I know there is a big difference.

00:01:25
There are totally 2 totally different things.

00:01:28
I think if I was being honest, journalism is kind of my

00:01:31
wheelhouse. I've done that since I was 18

00:01:33
years old. This was a a large step outside

00:01:37
of my comfort zone, but something that I've wanted to do

00:01:40
for a really long time and really proud to have

00:01:45
accomplished that. I know that when I went from

00:01:48
regular writing into novel writing, it's an uphill battle.

00:01:52
It definitely is, but it's so rewarding when you get on the

00:01:55
other side of it. Did you feel that way too?

00:01:58
I definitely did. I mean, you know, the most most

00:02:01
of what I've written in my life is kind of been in in short

00:02:05
form, right? Whether it's filling column

00:02:07
inches in a newspaper and like having, you know, a set there or

00:02:12
when moving to digital, you want to keep things like within a

00:02:15
certain word count to keep the, yeah, the audience engaged.

00:02:18
You know, I've done some long form digital writing as well,

00:02:22
but the I think maybe the longest story I ever wrote might

00:02:26
have been pushing 8, 1000 words, you know, long form right now

00:02:31
we're venturing out into, you know, 120, a 130 words,

00:02:35
right? Yeah, that's two totally

00:02:37
different things. But it, it really did feel great

00:02:41
to come out on the other side of it, you know, once it was done.

00:02:44
Oh yeah, absolutely. So what about right now made you

00:02:47
put out? Beneath the ring.

00:02:49
Yeah. So I was laid off of my job of

00:02:53
nine years in February of of 2024 and suddenly found myself

00:02:59
with a lot of time on my hands. I my parents have begged me my

00:03:02
whole life. You got to write a book.

00:03:03
You got to write a book. You know, I was a creative

00:03:06
writer right from like when I was a little kid and.

00:03:09
Yeah, well, I was started working full time when I was 18

00:03:12
years old. I was a freshman in college and

00:03:15
sports journalism and. And that grind is really all

00:03:18
I've ever known. And, you know, once I stopped

00:03:22
working at the newspaper after 13 years and transitioned to NBC

00:03:26
Olympics and universal sports, suddenly I'm traveling, you

00:03:29
know, all over the world for, you know, Olympics and, and

00:03:32
track and field competitions and major marathons.

00:03:35
And when you're doing that, like, when do you have the time

00:03:38
to like squeeze it? Novel writing, right When I had

00:03:41
that much time on my hands, I, I, I started with actually a, an

00:03:46
alphabet book that I wrote and that was sort of the icebreaker

00:03:50
for me. It is like once I self published

00:03:52
that book, you know, I felt like, OK, I'm ready now to sit

00:03:57
down and then tackle a novel. Gotcha.

00:04:00
So as you kind of just mentioned, you've worked on

00:04:03
covering the Olympics. So is that kind of the

00:04:05
inspiration? For the book, definitely, you

00:04:08
know, when I, when I sat down and decided I'm going to write

00:04:11
this novel, I wanted to write from a position that I know a

00:04:14
lot about. And you know, I've, I was

00:04:17
fortunate enough to do, you know, to summer into Winter

00:04:20
Olympics or NBC Olympics and then cover, particularly track

00:04:24
and field at, you know, the Summer Olympics in Rio and Paris

00:04:28
for flow, for flow sports. And you're right what you know

00:04:32
best. And so I decided that, you know,

00:04:35
I wanted to set this in the in the Olympic worlds, you know,

00:04:38
for that reason. Gotcha.

00:04:40
So the Olympics, which usually symbolize unity, your book took

00:04:45
a little bit of a different turn there.

00:04:47
What drew you to that contrast? It did you know, I, I wanted to,

00:04:52
I wanted beneath the rings to be a high stakes thriller.

00:04:54
I wanted it to be set at the Olympics, but a fictional

00:04:58
Olympics. And I wasn't interested in in

00:05:01
back dating it and writing like, you know, what historical

00:05:04
fiction piece and you know, I wanted to future dated.

00:05:06
So I put it not so far into the future where an Olympics might

00:05:11
be unrecognizable, a cell phone might be unrecognizable.

00:05:14
So I said it in Doha and I, I chose Doha for a particular

00:05:20
reason. They're very active and hosting

00:05:23
international sporting events. They've hosted track and field

00:05:25
championships, they've hosted the World Cup, they've hosted,

00:05:28
you know, a bunch of international swimming and

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gymnastic events, Asian game. So what I mean, it's not

00:05:35
inconceivable that they could host the Olympics one day.

00:05:39
So I, I, I, I chose them for, for the setting.

00:05:43
And, you know, I, I kind of wanted it to be a sort of no

00:05:48
holds barred capture of the Olympics that showed what

00:05:54
hopefully the readers will come away with like a deeper

00:05:56
appreciation for the Olympics. But can see, you know, the

00:05:59
unfiltered soul of the Olympics. You got this, the magic of this

00:06:03
human achievement, right? And you're behind the scenes.

00:06:06
You've got politics and ethics and global tensions.

00:06:10
And I've witnessed some of that first hand.

00:06:12
I mean, not to the extent of what I wrote about, obviously,

00:06:15
But I wanted, you know, there to be beyond the thrill of the

00:06:18
conspiracy. You know, in the chase, I wanted

00:06:20
people to reflect on how sport can expose truths and bridge

00:06:25
divides and inspire resilience. And, you know, those are things

00:06:29
that the Olympics do in real life, and those are the things

00:06:31
that sort of shaped the story. Yeah.

00:06:34
So, your lead character, can you tell us a little bit about Nova

00:06:39
without, you know, giving away too many spoilers?

00:06:41
Yeah, Nova was interesting. I, I, I kind of shaped her after

00:06:45
a, a bunch of, you know, different people, you know, I, I

00:06:49
wanted her to be from New Jersey.

00:06:50
And so I'm from New Jersey. So I, I, I kind of went there.

00:06:55
I've got a, I've got a really good friend.

00:06:57
His name is Alan Abrahamson. He was our columnist at NBC

00:07:01
Olympics. And he he has his own

00:07:03
independent Olympic sports website called Three Wire

00:07:06
Sports. And I, I, I, I, I kind of

00:07:08
modeled Nova a little bit after him.

00:07:11
Yeah, kind of drawing inspiration there.

00:07:12
But then when you look at and you read the story and you see,

00:07:17
you know, the, the grit and the personal loss and some of the

00:07:21
things that, you know, Nova experienced, you know, I drew a

00:07:24
little bit from Lara Logan. I, I, I drew historically from

00:07:28
figures like Nellie Bly, Ida Torbell, and then some other

00:07:32
like pioneering women's sports journalists.

00:07:34
Helene Elliot from the LA Times, Leslie Visser.

00:07:38
They were all inspirations for different parts of Nova's

00:07:41
character. Yeah, that's really cool that

00:07:44
it's a whole bunch of, you know, a Hodge project people, because

00:07:47
it makes it easier to say, hey, this is my own character.

00:07:50
Yeah, and I wanted, I wanted a female protagonist.

00:07:53
I feel like, you know, that was important to me.

00:07:56
I felt like if I, if I just modeled my protagonist strictly,

00:08:00
you know, on Allen for, you know, like everybody would say,

00:08:03
well, that's Allen, right? I didn't want to do that.

00:08:06
And I, I, I did want to go a little bit different there in,

00:08:11
in choosing a female. I, I feel like particularly in

00:08:15
in Olympic sports, there aren't a ton of really well known

00:08:20
independent female Olympic journalists.

00:08:22
And yeah, I just kind of wanted to go there.

00:08:25
That makes sense. So how could you balance the

00:08:28
global scale of the story with the personal emotional stake of

00:08:33
it? That was, that was difficult.

00:08:36
You know, I think I started writing and I got maybe 5 or 6

00:08:43
chapters in and I was like, OK, we've got this bad guy terrorist

00:08:49
group and I wanted to root that in some kind of historical

00:08:55
reality. And I'm no expert on geopolitics

00:09:00
by any stretch. And I actually stopped writing

00:09:03
and, like, went into a research phase and read up on a lot of

00:09:08
different Middle Eastern conflicts and pick bits and

00:09:12
pieces of things that I could say.

00:09:14
Like, hey, like, these were pivotal moments in global

00:09:18
history that I could point these guys back to and say, like, this

00:09:22
was like the disinfranchised moment.

00:09:24
This was the moment where these guys were radicalized and formed

00:09:29
this group. You know, I didn't just want to

00:09:32
make up something that like was coming from really from a place

00:09:36
of ignorance instead of not putting it any other way.

00:09:39
And so I did that for a few months and once I felt

00:09:43
comfortable with, you know, what I had that I was able to like go

00:09:46
back and and kind of start writing that that part of it

00:09:50
again. The sport, the international

00:09:52
sports part of it was really easy.

00:09:54
I mean I that that part of it I got, but the geopolitics part

00:09:58
was took some time. I can imagine, you know, there

00:10:00
it's such a complex system and it, it seems to be something new

00:10:05
every day as far as that goes. So you probably have a lot to

00:10:07
pull from there. Yeah.

00:10:09
And you know, who would know that?

00:10:11
Like, there's even more now to pull from when you're looking at

00:10:13
what's happening in the Middle East today.

00:10:16
So you know that that's, like you said, it's constantly

00:10:20
changing. But it was important to me to,

00:10:22
you know, actually like root that back into something sort of

00:10:25
factual. So your, your book, it, it

00:10:28
sounds cinematic. It is.

00:10:31
It's one of those things that you would expect to see on the

00:10:33
big screen. When you were writing it, did

00:10:35
you kind of see in your head a film as you were going, or was

00:10:38
it just, you know, novel? Here we are.

00:10:41
It started as novel. Here we are.

00:10:43
But I think after I finished it and we went through the edit

00:10:47
process and I, I read through it again, that's when it started to

00:10:51
click. Yeah, maybe like this is, you

00:10:54
know, suitable for a screenplay adaptation.

00:10:57
And that's something I'm working on actually.

00:10:59
And, you know, now I feel like it would be, it would be, I

00:11:03
mean, fishing the novel, you know, what was amazing?

00:11:07
The opportunity and the outside chance of seeing it either on a

00:11:10
big screen or a limited series or, you know, whatever, you

00:11:14
know, with the streaming medium. I mean, that would be a dream.

00:11:17
That's not what I set out for when I started writing, but that

00:11:21
would be amazing. I think it would be very popular

00:11:23
too, because as we were talking about it, it is relevant to

00:11:27
today. It's something that could

00:11:28
absolutely happen and I think it would be very powerful for

00:11:34
everyone, especially like Netflix, they're really big on

00:11:37
the high action type streaming, so I think that would be a

00:11:39
perfect one for their. As I was reading through it, I

00:11:42
was like, yeah, this sounds like some kind of mini series or

00:11:45
movie. So.

00:11:47
So what do you hope readers feel when they finish the book

00:11:51
besides Breathless? What do I want the readers to

00:11:54
come away with? I want them.

00:11:55
I want them to certainly feel the ride, the ride that Nova

00:11:59
goes on. You know, I think, you know,

00:12:02
she, she experiences a lot both from, you know, a journalistic

00:12:06
standpoint and ethical standpoint and then and

00:12:10
physically she goes through hell and back.

00:12:12
You know, I, I, I certainly want people to, you know, come away

00:12:15
with that. I do want people to, like I said

00:12:17
earlier, come away with a deeper appreciation for, you know, the

00:12:20
unfiltered soul of the Olympics. I think that's, that's really

00:12:24
important to me. I, I, when I sat down and, and,

00:12:27
and wrote this, I, I thought about the power of sport and

00:12:32
sport communities and, and how there's a shared humanity there.

00:12:36
And, you know, I, I want, you know, you see what, you know,

00:12:41
that Israeli and the Lebanese athletes go through as an

00:12:43
example in the book, right? There's some divides that are

00:12:46
bridged there through, you know, there are, there are moments of

00:12:49
connection. So that was important to me.

00:12:51
And then at the world level, I wanted the book to provoke some

00:12:55
critical reflection on the Olympic movement.

00:12:58
It's, it's fragile. They're between the IOC ethics

00:13:02
and geopolitical tensions. And like we said right now,

00:13:05
there's an ever present shadow of terror right now in our

00:13:07
world, particularly in that region.

00:13:10
And, you know, there's, you know, the Olympics have a, a

00:13:13
glittering facade, but there's, you know, there's some real

00:13:17
costs too. I I, I wanted, you know, to show

00:13:23
that, that you know, that the Olympics can, can reflect all of

00:13:27
that. And you know, at the same time,

00:13:29
strength and demands for accountability.

00:13:31
If if the games are truly what they're, you know, say they are

00:13:35
and that's a, a, a modem to advance peace and progress.

00:13:38
Very good, very good. So what's up next for you?

00:13:42
You. You were talking about doing the

00:13:43
screen writing. Do you have any more books

00:13:45
planned? I've been thinking about that.

00:13:47
I left this book sort of open-ended, that it could go to

00:13:51
a sequel. I haven't decided if that's

00:13:53
something that I want to do or if I would just want to pursue a

00:13:56
totally different topic. But there's, there's, there's

00:13:59
another book in my future. I, I can feel it.

00:14:01
I, I just haven't settled on what I want to write about yet.

00:14:04
Oh. Yeah, every author I've talked

00:14:06
to, it's always there's more coming.

00:14:09
I don't know what it's going to be, but I now that I've started

00:14:11
I can't stop. I'm the same way.

00:14:13
Once I started I thought I was going to be a one and done and

00:14:15
now I'm like 5 into it. Yeah, I, I, I didn't, I, it was

00:14:20
important me to get for, to get the first one done.

00:14:23
And I felt like once I did, you know, I wanted to focus a lot on

00:14:29
just publicizing the book and getting it, you know, in front

00:14:32
of as many eyeballs as possible. That's, you know, always, you

00:14:36
know, the, the primary goal. And then, you know, I've, I've

00:14:39
been working and with a friend of mine to, you know, try to get

00:14:45
a, a screenplay written and doing that.

00:14:48
And then all the other future writing, it's kind of been on

00:14:50
the back burner to, to all that other stuff.

00:14:53
But it it's getting to the point now where I'm probably going to

00:14:57
be ready to, you know, creatively to, you know, sit

00:14:59
down and start a new project. Absolutely.

00:15:02
So where can the listeners find you?

00:15:04
They can. Find me out on my website is

00:15:07
books by battaglia.com. There's all the information on

00:15:10
how to purchase the book. It's available on Amazon.

00:15:13
It's available on Apple Books and Barnes and Noble and

00:15:16
everywhere digitally they you can find your books.

00:15:18
There's a lot of bonus content on the website where you can get

00:15:22
some more information and back story on the primary characters,

00:15:26
including Nova and all the bad guys.

00:15:28
All the main characters in the book have some back story there.

00:15:32
My socials on X Joe Battaglia 75 same as on Instagram.

00:15:37
Joe Dash Battaglia one on Facebook.

00:15:39
Yeah, you can find all my stuff there.

00:15:41
Awesome. I'll make sure that that is in

00:15:43
the show notes. Thank you so much for joining

00:15:45
me. Thanks, Aaron.

00:15:46
I. Appreciate the conversation.

00:15:48
Big thanks to Joe for joining me today on Plot Twist Radio.

00:15:51
Beneath the Rings is one of those stories that sticks with

00:15:54
you because underneath the action and suspense is something

00:15:57
very real. The idea that sports can unite

00:16:00
people, expose divisions, and reflect the world back at us in

00:16:03
ways we don't always expect. You can find Joe's book online

00:16:07
now through Amazon, Barnes and Noble, Apple Books, and learn

00:16:10
more at his official website, booksbybattaglia.com.

00:16:13
I'll have all of his links down in the show notes so you can

00:16:16
check everything out for yourself.

00:16:18
And if you enjoyed this episode, make sure you subscribe, leave a

00:16:20
review, and share the story with someone who loves thrillers,

00:16:24
sports stories, or behind the scenes conversations with

00:16:27
creators. Until next time, keep chasing

00:16:29
the story behind the story.