Author Michael Wendroff joins Plot Twist Radio to discuss his debut thriller What Goes Around, the realities of modern publishing, and the art of building suspense that keeps readers turning pages late into the night.
In this episode, Michael shares how a career in global marketing unexpectedly prepared him for the publishing world, why authors today must become marketers, and how the pandemic finally pushed him to write the novel he had always dreamed of creating.
We also dive into:
- Writing thriller fiction and crafting twist endings
- The importance of pacing, cliffhangers, and short chapters
- Literary agents and the modern publishing industry
- Researching real-life detectives, FBI agents, and criminal groups
- The emotional attachment authors develop toward their characters
- Michael’s fascinating family connection to Thomas Edison
- Selling international rights and adapting books for film or streaming
- Advice for aspiring writers trying to break into publishing
Michael also discusses his upcoming thriller You Reap, a prequel to What Goes Around, and shares invaluable writing advice for new and aspiring authors.
If you love thrillers, suspense novels, behind-the-scenes publishing conversations, and discussions about the craft of storytelling, this episode is for you.
Where to find Michael:
#MichaelWendroff #WhatGoesAround #ThrillerAuthor #WritingCommunity #Publishing #SuspenseThriller #BookPodcast #Authors #WritersLife #PlotTwistRadio
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Welcome to Plot Twist Radio, the show where creativity,
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storytelling, and the unpredictable path of the
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creative life all collide. I'm your host, Aaron Eggnatz.
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Michael, welcome to the show. Hi, happy to be here.
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It's great to have you. Can you introduce yourself to
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the audience? Sure, Michael Wendroff, I was a
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marketing guy, but I am now happy to say that I am an
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author. My debut thriller was published
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by Bloomsbury at 1st and hardcover audiobook and e-book,
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and just about a month or so ago it was published in paperback as
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well. The paperback actually has a
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book club discussion guide as part of it because it was very
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popular with book clubs and the book was also sold by my agent
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in some foreign languages, Italian, Hungarian and Japanese.
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And based on the sales and the reviews for my novel What Goes
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Around, I've been given a contract for a second thriller
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that I'm writing now. That's very exciting.
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Congratulations on the success there.
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Thank you. You're welcome.
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So what actually made you go from marketing to writing?
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Well, I always wanted to write a novel.
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And you know, it took many, many years.
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I had a whole career in marketing working for large
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corporations. And then I was running my own
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global marketing strategy firm. And then the pandemic hit and
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basically there you couldn't do anything else.
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I mean, in my town, you couldn't even go to the beach.
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I let alone play tennis or go to the movies or eat.
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So no more excuses. I finally had to go ahead and do
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what I always wanted to do, which is to write a novel.
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And, and I did. And actually the impetus for my
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novel goes around is what my mother said to me.
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These I always put on her chest. She looked deeply into my eyes
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and she said, oh, how nice to see you again.
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And it was the again part that always intrigued me.
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I had to do something with that. And what I did with it is it.
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It plays into the major twist ending of my novel.
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Very cool, very interesting. So what can you tell us about
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what goes wrong? Without giving away spoilers, of
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course. Well, it follows these two
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detectives who are investigating mysterious shootings in a small
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town. The two detectives appeared
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together and they hate each other.
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One's a a guy like a Jack Reacher type guy, big physical
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guy. The other's a a brilliant and
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beautiful woman. And eventually, you know,
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they're the relationship does change a bit, but they while
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investigating these shootings, they enter into these mysterious
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worlds of these crazy groups, these in cells and boogaloo boys
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and and all these crazies. And there's lots of twists and
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turns along the way. And ending with that major twist
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ending. It's, you know, it's it goes a
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little to a different place than a normal thriller.
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So it's like a thriller plus, but it's basically about love,
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life and the eternal bonds that transcend time.
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That's. Awesome.
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So thrillers, you know, they live and die on tension.
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What's your approach to building suspense and holding on to that
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tension You. Are absolutely right.
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And you know, for me, I read a lot in like in this category,
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lots of thrillers, lots of mysteries.
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So I know what I liked. And the way I incorporate that
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into my writing is, first of all, I write very short chapters
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because I think that keeps the story moving along for the
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reader. And I think, you know,
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especially these days with younger readers that, you know,
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there's so many competing things for their entertainment dollar
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with video games or, you know, even on the websites, the
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articles are so short. So, you know, I think that
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having short chapters not only helps with the pace, but also is
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something that readers today really want.
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So that's one thing. And then the other thing I would
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say is that I try to end every chapter on a cliffhanger.
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It could be a physical one, it could be a psychological
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cliffhanger. It can be an emotional one.
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And then I strive, I strive to start the next chapter with a
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very intriguing sentence. So that's what seems to be
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working for me. I mean, all if you look at my
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reviews, they all talk about how, you know, can't put it
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down, lost sleep, you know, real page Turner.
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So that's the kind of book I like to read, and that's the
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kind of book I'm happy to have written.
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That's, that's a great strategy. And you're right, you know, the,
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the shorter chapters I've noticed, you know, they used to
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be really long chapters that would, you know, be 234000
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words, but now they're much shorter.
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And you're right, it helps with the flow of the, the book quite
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a bit. I've noticed that with many
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authors now. Yeah, absolutely.
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So you literally wrote your MBA thesis on marketing and
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publishing. How different is the industry
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today versus as you were going through college?
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Yeah, it is interesting because, you know, it was when I was
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getting my MBA from NYU that I first married my love of of
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books. I come from a bit of a book
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background, but with my new found love of marketing.
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And yes, you're right, my thesis was on marketing in the
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publishing history. Now this is going back a bit for
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sure, but it was it was an interesting experience because I
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got to interview a lot of publishing executives.
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And in fact, my thesis ended up being excerpted in the trade
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journal, which is called Publishers Weekly is the trade
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journal for the industry. And they put it in three of
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their editions and they actually, you know, paid me.
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So I got paid for writing my thesis and that was the first
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time I got paid for writing in general.
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And, and I like that. I certainly did.
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But what I've, you know, certainly, you know, back when I
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wrote it, things have changed dramatically.
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And I would say that, you know, any, any author today or would
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be authors in your audience and they have to know that, you
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know, 50% of your job as an author is writing.
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The other 50% is pushing your novel.
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Because, you know, unless you're Stephen King or Harlan Coven,
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you know, it's, it's really up to the authors to do their
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selling, their marketing. And you know, I've, I've had a
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bit of an advantage because of my background in, you know,
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marketing for major corporations and going on sales calls with
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the salespeople. So, you know, for example, if
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I'll go to local author, then I'll look how many and the table
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will have other authors and the authors are sitting behind the
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table in their chair. I'm out front pushing my book
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and I sell out all the time. And, you know, I understand
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authors, a lot of authors tend to be and introverted, but you
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know that that's my marketing background that helps.
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But I, you know, encourage all of your authors to to go out
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there and, and push for everything.
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And the more you do it, the easier it comes.
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So, you know, go on, you know, great podcasts like yours, you
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know, push with local media. I've been able to get local
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newspaper articles, features about myself, local magazine.
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I was on the cover. But you gotta, it takes a lot of
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work. You got to be willing to put in
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the work, and if you do it, you can be successful.
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Yes, absolutely. And that is very, very
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important. As you said, unless you're one
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of the big, big time authors, it's hard.
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It is a hard industry because there's so many books out there.
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You know, every day there's hundreds that come out.
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So you get lost in the weeds very quickly.
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I think 12 million is the number that Amazon had published last
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year. Oh my gosh, that's that's even
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more than I thought. Well, there you go.
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So yeah, marketing is key there. So you've worked with some big
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names. What did you absorb from being
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around writers at that level? Well, I mean, this is going back
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in into my history again, you know, my mother, besides, you
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know, giving me the images for that novel when I was born.
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She actually remarried A literary agent, Henry Morrison.
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And you know, for those in your audience who don't know that
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much about literary agents, literary agents are are the key
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people in publishing today, at least if you want to, you know,
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get published by a traditional publisher.
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So, you know, having the option to self publish is great, but in
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terms of traditional publishing, you need an agent publishers,
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when I look at your manuscript, unless it comes through a
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literary agent and you know, agents will do many things for
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you if you're able to get one. I mean, that's the first thing,
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which I, I really believe that it's harder to get a literary
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agent to take you on is to sell your book once you have a
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literary agent. So the tough part is getting 1
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and you got to query a lot of agents go through all that.
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But once you have them, you know, they'll, a lot of the
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agents are actually your first editor.
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You can be on your family, etcetera.
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So they will give you know, ideas on on your book that will
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make it better. So for them to represent to
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publishers and then, you know, they'll sell additional rights.
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I mentioned what you know, foreign rights that were sold to
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what goes around and you know, if you're lucky enough to get a
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publisher to publish you, they'll negotiate the contract
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of course, and take you through all the contract details and all
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of that. So, so they are key.
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And, you know, for me, you know, growing up with a literary age
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and as a stepfather, he specialized in the categories I
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liked and mysteries and thrillers.
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So I got to read all those for free and to meet a lot of
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authors. In fact, you know, there was
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this one time when I was young and we were invited to stay over
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at Robert Ludlum's winter home in Saint Thomas.
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And Robert Ludlum, a lot of people know him from the born
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identity, the Matt Damon movies. So, you know, he wrote his slow
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best selling books. And I remember waking up 1
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morning and getting going up early to the living room where
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he was sitting and he had a, a yellow legal pad out and a #2
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Daikon Taikon Kondoroga pencil. And he was scribbling away.
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And that's how he wrote his 450 page novels by hand.
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And I could not believe it. I mean, thank God, you know, I
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admire his, his prose and his plot, but good thing when it
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came time for me to write mine, I had APCI could not do that for
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sure. But it, it was very cool meeting
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a lot of authors. And you know what I found in
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general that authors are the nicest people.
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And you know, as a as a group, they're not in competition with
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each other at all. They're always very helpful.
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So, so it's a, it's a great world being among them for sure.
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I agree. I agree.
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Authors are much different than some of the other people in the
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entertainment industry. I guess that the authors are in
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the entertainment industry. I guess they are.
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But yes, they are usually very kind and very supportive of one
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another and I love that about the community.
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For sure. So your book, as you were saying
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it, it got international rights already.
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That's awesome. Did you expect that kind of
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reach right out of the gate? I hoped for it because, you
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know, growing up in a literary age and background, I, you know,
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when I was going to college and working there part time, I was
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in charge of selling foreign rights or helping with that.
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So, so I knew about it was a possibility, but I was very
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happy because it's these days it's more and more unusual.
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So I was thrilled for. So I have to ask because I'm a
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historian, so this is something that is very intriguing to me.
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Your great grandfather worked with Thomas Edison.
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That is quite intriguing because I, my, when I was getting my
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master's degree, I was actually transcribing a lot of letters
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and correspondence for Thomas Edison.
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So I'm curious what your great grandfather did.
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Yeah, it was very cool. He was at the University of
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Copenhagen in Denmark and he was in doing research there.
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And I'm not sure exactly how the connection was made, but you
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know, Thomas Edison brought him over to work with his in his New
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Jersey labs. And then so that's where my
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mother was born in in New Jersey in South Orange, where the labs
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were. And my grandfather holds some
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pens, including for great grandfather, including for
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plastic buttons. So he was actually known as the
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button king around town after he made a lot of money off of
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buttons, which his son lost. But but I proudly try and wear
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button down shirts. So getting back to your book, if
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What Goes Around became a movie tomorrow, who's your Dreamcast
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boy? I don't know, I'd have to say
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maybe, maybe Matt Damon is, is the the Jack detective, although
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the guy that there's ATV series of of Lee Child's Jack Reacher
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and the guy that plays Reacher in that he'd he'd be a pretty
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good one too. So, yeah, I don't that's that's
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a that's a tough one. It's a good question.
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I have to give some more thought to that.
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And you know, I'm that would certainly be the dream for
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something being made into the movies.
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I do have some feelers out there.
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So we'll, we'll keep our fingers crossed and we'll, we'll see.
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You, you have the perfect story for Hollywood.
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So I, I think that I, I hope it ends up happening for you
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because it would be a great movie or mini series, I don't
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know. A lot of people do say that mini
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series would be terrific, you know, Netflix or Prime, Yeah.
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Yeah, and they're really getting into the books right now.
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I've noticed a lot of people. I've noticed a lot of
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correspondence about that. I see it pop up on all the,
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like, media things. And I'm like, oh, maybe I should
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pitch one of my books, but I'm just too afraid.
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Go for it. Yeah, why not?
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What's the worst? I could say no, but so you
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mentioned that you signed on for another book.
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Is that what's up next for you? Yes, yes.
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So my publisher did offer me a contract seeing the sales and
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reviews of what goes around. And this book is actually a
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prequel, so it does have and I just finished the first draft.
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So it does have the two main characters from what goes
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around, the two main detectives. It's kind of fun for me to to
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put in the little, little bread crumbs as to what happens and
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what goes around to see them in this book.
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So it's been really cool. Tentative name is you reap, as
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in you reap what you sow. So first one was what goes
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around, which I love the name because I think in the consumers
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mind and the reader's mind, they immediately say, you know, what
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goes around comes around. So they complete the thought and
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you've made it a connection in their brains, you know, right
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from the start. So we have what goes around and
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then you reap, which also, you know, also has kind of A and if
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I call it a spiritual part in the twist ending, but somewhere
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in that realm and then in you reap, it's actually a, a life, a
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near death experience that happens in in the twist.
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But it's fun. And you know, I really enjoy the
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whole writing process so much. I mean, for me, you know,
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writing is really in three parts.
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So the first part for me is to do the plotting, come up with
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the big ideas. I, I could never do that.
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I, I just need to know what's the twisted, the ending going to
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be? What are the twists along the
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way that are going to happen? What are my character arcs going
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to be? I just need to to know all that
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before I can start writing. And you know, it's not like the
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writing doesn't evolve. It it does.
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I mean, there was this time when I was writing what goes around,
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and it called for one of the characters to be killed off.
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And I gotten to really like this character.
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I really enjoyed him. Yeah.
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You know, we had some good conversations.
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And yes, you know, am I crazy? These characters are talking to
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me. Yeah, I am.
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But So what I did then is I had my plot that I had to change my
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plot because I couldn't kill off this character was I couldn't do
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it. But then similar thing happened
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and you know, there was another person who, you know, came time
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in the book that this one was supposed to be killed.
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And this one, you know, the plot in the storyline, I do it even
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though I really love for the whole next week my wife is
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saying, why are you so depressed?
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Why are you walking around? They're like crazy.
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This character's not real. But you know, to the authors as
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you know, these characters are real.
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So, you know, free number one is plotting and then the second is
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doing the research. And you know, when I wrote what
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goes around, you know, AI didn't exist.
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So it was Googling a million articles and learning because,
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you know, my my book deals with these some of these crazy
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groups, as well as there's stuff on guns and I didn't know
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anything about any of that. So there was a lot of research.
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But what I found is that the best kind of research is talking
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to the people and actually do the things that are like what
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the characters in your book are doing.
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So, you know, I was lucky in my community.
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I got to talk with FBI agents. I got to talk to chief of
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police. Importantly, my town has a
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female detective and I got to talk to her and she was and
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that's very important for my book.
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That's a key character and she was great.
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And she told me so many anecdotes and insider info that
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made it into my book is terrific.
00:18:08
So, you know, talking to those type of people is is the best
00:18:11
kind of research. Now, I don't think I spoke to
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any serial killers, but who knows?
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You may have. It you didn't know it, there are
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some walking around, there are some walking around.
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And then the third part is the actual writing.
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Of course, my process is really just to unlike you say, the, the
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story, just get the story moving.
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Don't worry about the writing itself.
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You know, certainly not grammar or punctuation, but not even the
00:18:40
words or the flow. Nothing, nothing like that.
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And then I will let you know, let's say it's day 2.
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I'll go back and I'll review what I had scribbled out the day
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before and that's when I'll try and make it into real writing.
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That's when I'll make sure every sentence fits with these others
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in the paragraph and every word in the sentence fits with the
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other words. And I'll add the metaphors and
00:19:01
add the analogies. Then a bit of poetry and some to
00:19:05
some degree. So it's, you know, that's that's
00:19:09
where the real writing comes in. And then when I'm done with
00:19:12
that, I'll scribble away my PC the next section and review
00:19:16
that. So that's, you know, that's the
00:19:18
process every day. Scribble it out, Refine,
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scribble it out. Until of course, I can write my
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two favorite words, which are the end.
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Love that, love that. So where can the audience find
00:19:33
you? So my books are in bookstores,
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but you could also get them online the Amazon.com and I do
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have a website, michaelwendroff.com.
00:19:43
And you know, if there are would be writers or you're just people
00:19:48
who read my book that have questions.
00:19:50
My e-mail address is is on my website and I respond to every
00:19:53
e-mail. I get budding writers out there.
00:19:56
I'd love to help. I mean, if, if and if you do
00:19:58
have an, an audience of, of aspiring writers in there, you
00:20:01
know, a quick piece of advice would be that, you know, besides
00:20:05
reading in your genre, which is key, don't always, I always make
00:20:09
sure I certainly see what's on the best sell list and read
00:20:11
those so I keep in tune with tastes.
00:20:16
But, and I also encourage you to write every day, even if it's
00:20:20
for 5 minutes because there is this continuity you get into
00:20:24
with the whole experience. But also, you know, there's this
00:20:27
craft to writing. So, you know, make sure you
00:20:30
learn your craft, numerous ways to do that.
00:20:34
You can join writers groups if you have one, but you can also
00:20:37
take online courses. There are plenty.
00:20:39
I took, I think it was from B took a course from James
00:20:42
Patterson, from Harlan Coben and from Lee Child.
00:20:45
And, you know, they were great. You know, there's like 15
00:20:48
episodes and they'll they'll teach different aspects of
00:20:51
writing and they don't always agree, but that's fine too.
00:20:55
You can, you know, learn what works for you.
00:20:58
And, you know, the last thing I'd say is there are a lot of
00:21:02
conferences of different categories that you that you may
00:21:06
be interested in. So for example, I'm heading off
00:21:09
to Thriller Fest in New York City, which is a thriller
00:21:11
writers conference. And at that, you know, besides
00:21:14
the the social events, which are very important to, you know,
00:21:17
make your contacts, but you know, there's a few days of of
00:21:23
like mini seminars, like hour sessions on different aspects of
00:21:26
writing, you know, perspective and tense and what to do with
00:21:30
the middle of your book and all of that kind of thing.
00:21:33
So any aspiring writers out there practice aircraft?
00:21:39
Absolutely excellent advice, Excellent advice, and I know
00:21:42
that there are a lot of aspiring writers that are listening
00:21:46
because I get messages about it all the time.
00:21:48
So that is excellent advice. Thank you and thank you for
00:21:51
joining me. This has been a great
00:21:53
conversation. Absolutely a lot of fun.

